Since the mid-1970s, Rubins has produced drawings of increasingly concentrated compositions, covering the entire surface of the paper with graphite to create shiny metallic surfaces that have endless depth of space as well as textured traces of the artist’s hand. While some iterations of these drawings comprise multiple large sheets of paper that are layered and affixed to a wall, others are volumetric, three-dimensional undulations that exploit the sculptural potential of the medium. See a selection below.